I noticed that using normalize gain scaling on an LP or 78 RPM file usually overshoots the set level by 1-2 dB in DC10.51 and 10.62. For example, setting at -2.0 dB results in a nearly-clipped file (~ -0.5 dB peaks) and setting at -1.0 dB will usually clip.
I also have DC 7.15 and 8.50 installed on the same Windows 8.1 machine and using either of those earlier versions gives much more accurate results (setting -2.0 dB gives -1.5 dB typically), so I've been gain-scaling on DC7 for some time now.
I tested the function with 400 Hz sine waves from Make Waves and all 3 versions give about the same results with only a small overshoot (setting -2.0 dB gives -1.5 dB, -1.0 dB gives -0.75 dB). But gain-scaling actual music (classical, jazz, pop) with DC10.62 results in significant (and annoying) overshoots. Suppose I could just "under-spec" the setting and hope to get the desired level (usually -2.0 dB) but why do the earlier versions work so much better for gain-scaling?
I also have DC 7.15 and 8.50 installed on the same Windows 8.1 machine and using either of those earlier versions gives much more accurate results (setting -2.0 dB gives -1.5 dB typically), so I've been gain-scaling on DC7 for some time now.
I tested the function with 400 Hz sine waves from Make Waves and all 3 versions give about the same results with only a small overshoot (setting -2.0 dB gives -1.5 dB, -1.0 dB gives -0.75 dB). But gain-scaling actual music (classical, jazz, pop) with DC10.62 results in significant (and annoying) overshoots. Suppose I could just "under-spec" the setting and hope to get the desired level (usually -2.0 dB) but why do the earlier versions work so much better for gain-scaling?
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