I brought up this subject a couple of years ago, but I thought I would give it another go, since we now have the new and improved DCART in hand.
For a brief period of time (oil embargo era) there was some inferior vinyl being released resulting in an excessive amounts of crackle when played. I am now left with about 25 or so of these releases I am trying to restore.
It seems that most times when I attempt to de-click and de-crackle these recordings, the filters seem to choke on the sheer volume of defects present. I've tried to make multiple passes with very light settings, trying to move to more aggressive settings with subsequent passes with only moderate success.
In most of the cases, I have found CD replacements so I wouldn't have to deal with the recordings in hand; but there are few that are difficult to locate.
Is there a methodology that is recommended for recordings that have numerous impulses?
I might add, that these impulses are not long in duration or not necessarily louder than the program material. It kind of sounds like someone was making a batch of popcorn in the studio during the recording process!
Any ideas would be most welcome.
For a brief period of time (oil embargo era) there was some inferior vinyl being released resulting in an excessive amounts of crackle when played. I am now left with about 25 or so of these releases I am trying to restore.
It seems that most times when I attempt to de-click and de-crackle these recordings, the filters seem to choke on the sheer volume of defects present. I've tried to make multiple passes with very light settings, trying to move to more aggressive settings with subsequent passes with only moderate success.
In most of the cases, I have found CD replacements so I wouldn't have to deal with the recordings in hand; but there are few that are difficult to locate.
Is there a methodology that is recommended for recordings that have numerous impulses?
I might add, that these impulses are not long in duration or not necessarily louder than the program material. It kind of sounds like someone was making a batch of popcorn in the studio during the recording process!
Any ideas would be most welcome.
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