After spending some time on this board it seems that I may be in the minority in that most of my music I restore is in pretty good shape. About 95 percent of it is in the LP vinyl format and just has your typical (slight) problems associated with the format. My main problem is (was) that I have a countless quantity of vinyl to restore. I haven't counted my vinyl in a while but in numbers in the thousands of LP's. So, while DC6 cleaned up my music perfectly, when Mentor came along I thought that it may actually fit my needs a bit better, since I don't have too many pieces of music that have major problems.
I have now completed 3 projects with Mentor and I have to say that for most of my restoration work, it is a perfect solution. It's straightforward, easy and plenty powerful enough for most of my restorations. And even if a particular piece needs more work, I can easily shell out to DC6.
I probably don't use the product as it is intended, but after the 3rd Album I got to be pretty darn proficient with the program and found a mode of "attack" that worked for me.
After recording the album sides, fine tuning the markers that Mentor automatically senses, I ran the cleaning/enhancing tools fairly conservatively over the entire sides, to where they sounded pretty good on all cuts. Then I hit the "ready for CD" radio button to chop the marked file into pieces. I THEN took these "chopped" files and moved them back into Bin2, where I could "fine tune" each of the individual tracks. I could make the beginnings and endings perfect and run the cleaning/enhancing tools that I set up for each track as needed. Then, I hit the "ready for CD" a final time where I could position my tracks as desired and burn the CD.
What I like most about the product, is that it is deceptively simple. You can use it as simple or more robustly as the situation and your time allows. Sometimes I just want a "cleaned up" copy of a favorite album to play in the car for a while and I wouldn't go through all the bother to put the tracks back into bin2 for the perfect restoration. Other times, I want the recording near perfect.
I guess what I'm trying to say in all of this in a very long winded manner... "Mentor is a great product for me"....
Thank you
GB
I have now completed 3 projects with Mentor and I have to say that for most of my restoration work, it is a perfect solution. It's straightforward, easy and plenty powerful enough for most of my restorations. And even if a particular piece needs more work, I can easily shell out to DC6.
I probably don't use the product as it is intended, but after the 3rd Album I got to be pretty darn proficient with the program and found a mode of "attack" that worked for me.
After recording the album sides, fine tuning the markers that Mentor automatically senses, I ran the cleaning/enhancing tools fairly conservatively over the entire sides, to where they sounded pretty good on all cuts. Then I hit the "ready for CD" radio button to chop the marked file into pieces. I THEN took these "chopped" files and moved them back into Bin2, where I could "fine tune" each of the individual tracks. I could make the beginnings and endings perfect and run the cleaning/enhancing tools that I set up for each track as needed. Then, I hit the "ready for CD" a final time where I could position my tracks as desired and burn the CD.
What I like most about the product, is that it is deceptively simple. You can use it as simple or more robustly as the situation and your time allows. Sometimes I just want a "cleaned up" copy of a favorite album to play in the car for a while and I wouldn't go through all the bother to put the tracks back into bin2 for the perfect restoration. Other times, I want the recording near perfect.
I guess what I'm trying to say in all of this in a very long winded manner... "Mentor is a great product for me"....
Thank you
GB
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